This installation explores the transformation of architectural production from modular and repetitive systems to organic, fluid, and algorithmic forms. The theme “Arada” (In Between) is interpreted as a space of transition between two approaches to making — a zone of both formal and procedural transformation.

At the center of the work lies a classic Lego piece, representing a rational, modular system. In the digital environment, this piece is parametrically evolved: one side remains angular and measured, while the other transforms into a fluid, indeterminate form. Each element becomes a transitional object, existing between the analog and the digital, between the module and the morph.

The pieces were produced at LIA Studio using a 3D printer and bio-based PLA filament. The monochrome surface reflects both a minimal aesthetic and a sustainable mode of production. Their assembly merges two cultures of making — physically and conceptually.

This project aims to make visible the experience of architectural generations situated between these two paradigms. Neither fully analog nor digitally native, this generation operates at the intersection of tools, concepts, and formal languages. Being “in between” here is not nostalgic; it is a new field of expression emerging from coexistence.

This work translates the evolving relationship between form and process in architecture into a tangible expression. It proposes an experimental ground where generational transitions reshape the language of design and the tools of making. The shift from module to morph is not merely formal but reflects a transformation in how architecture thinks, constructs, and defines itself. Within the Biennial, being in between is reimagined not as a void or a temporary state, but as a transformative rupture — a space where different modes of production coexist and new expressions emerge. The intersection itself becomes a generative ground for a new architectural language.